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Tuesday, July 31, 2012

Villa Serbelloni, Bellagio, Lake Como, Italy





Wendy on the patio, Villa Serbelloni, Bellagio, Lake Como, November 1992 - On a day of "mists and mellow fruitfulness"








Lake Como in the Italian lake district is the most beautiful of the lakes in that region, a Y-shaped lake with the small city of Como at the western end, St Moritz in Switzerland above the mountains at the eastern end, Lecco to the south, and the town of Bellagio in the apex of the “Y,” where there are views of all three arms of the Lake. It is a setting of great beauty but little if any strategic importance. There has been a settlement there since very ancient times, always sought out and usually occupied by the rich and powerful. At the height of the Roman Empire, Pliny the younger, a scholar who had strong aesthetic sensibilities, built a villa here and his statue remains in the grounds of the Villa Serbelloni to this day. After the end of the Roman supremacy, the site was occupied by a succession of powerful families including the Sforza dynasty until it passed into the possession of the minor but wealthy Serbelloni family, who sold it to a Swiss hotelier who in turn sold it to Ella Walker of the American liquor family of Hiram Walker. She married into the Italian aristocracy and became a principessa (princess) so during the lifetime of her husband the property was again in the possession of the Italian nobility. She was childless. At her death which was many years after her husband’s, she bequeathed the Villa Serbelloni and its lands to the Rockefeller Foundation, and it was made it into a prestigious international study and conference centre.   

I have had three visits to the Villa Serbelloni, two to conferences and the third time, as a scholar in residence. The first conference I attended was in September 1982, to join one of the working groups preparing the 10th revision of the International Classification of Diseases.  I was back at the Villa Serbelloni for another conference in May 1985, where the theme was the future of health and health care services. My third visit to the Villa was as a scholar in residence, where I planned and wrote the first draft of a monograph on ethical problems that can arise in epidemiological practice and research. (Parts of this have subsequently been published as chapters in books and as free-standing papers in peer-reviewed journals but the book was never published in its entirety).

The main building of the Villa Serbelloni occupies a level clearing close to the heights in the extensive grounds, which descend to the lake shore on the south (Lecco arm) of Lake Como and east. It is a 17th Century palace that was completely renovated when the Rockefeller Foundation assumed ownership. It has several commodious rooms and suites – library, dining and sitting rooms, a music room, others upstairs set up for conferences, and a few spacious bed sitting rooms for guests. The out-buildings include a 17th century tower with a large bedroom on each of its three floors, and next to it, the Sfondrata, a longer, lower building with more rooms for guests. About half way up the hill to the Villa, another building, the 17th century Maranese, contains studio suites for scholars in residence and conference guests. On my first visit I had the room at the top of the tower, and was lulled to sleep each night by the gentle lapping of water against the base of the tower and awoke each morning to the same lovely water music. It was a splendid place to be for a week, although low water pressure made the shower function poorly, or not at all if anyone on one of the lower floors turned on a tap.  I was rapporteur for the conference, which meant that at the end of each session I had to write up the proceedings.  Then at the end of the afternoon session, I had to dash down the hill to the tower, have another shower and dress formally for dinner, missing most of the aperativi and preprandial conversation.  On my second visit, my room was in the Maranese, and although Wendy was not allowed to stay at the Villa Serbelloni with me, she stayed in a small hotel in Bellagio so we could enjoy this extraordinarily beautiful part of the world together during my time off, and she was allowed to dine once or twice as my guest.

When I returned as a scholar in residence accompanied by Wendy in November 1992, we had just come from a final visit to my dying father in Malta and throughout our stay each international phone call for me (for some reason there were many) induced a premonition that he had died. As it turned out, he survived until New Year’s Day, two weeks after we got home to Ottawa. We began our brief period in residence in the Maranese but were uncomfortable there, especially walking to and from meals on frosty mornings and cold dark evenings, so we moved to a studio suite in the main Villa after a few days when a room became available. Our windows gave us a superb view of the western arm of Lake Como with the steep mountains on the Swiss side to the right and the hills of northern Italy to the left, the blue waters of Lake Como in the middle.  There are several smaller out-buildings on the high ground above the Villa, including two set up for artists and composers, equipped with a grand piano.  Wendy spent some time in one of these suites composing a piece of music during our stay, and occasionally used the other to touch up the pictures she was painting of the spectacular scenery.  She was experimenting with oil pastels and produced a dozen or so vivid sketch paintings of the Villa, its grounds, and views across the lake to each shore in the distance.. When we got home I had several of her pictures framed and I have three of them on the wall of my home office as a permanent reminder of that lovely place and an all-too-brief interlude in our lives.

It is the policy of the Rockefeller Foundation to mix scholars in residence from diverse disciplines, the humanities, creative arts, natural and biological sciences, philosophy and so forth. Those with whom Wendy and I shared our time at the Villa were probably a rather typical mixture. They were all interesting people – some unforgettable. One was the writer Jonathan Franzen, a youthful novelist of great promise. His prize-winning novel The Corrections, may have been born there although he was ostensibly working on a different book. Another was the historian of colonial America, Bill Chafe.  The book on which he was working (political chicanery in early 19th century USA) came out a year or so later to receive high praise and several awards. The (adopted) Australian visual artist Merilyn Fairskye, at the time resident in New York, was a rather beautiful young woman, perhaps of Armenian heritage I think. She and a youngish Brazilian philosopher had a brief but quite torrid romantic liaison.  There were several others – a composer and his wife, another musician, from the University of Indiana at Bloomington, Indiana, two poets, a husband-wife combination from Oregon; two urban sociologists, one from Stanford, the other from NYU, who were jointly writing a monograph on alienated youth in the counter-culture; and  a woman with middle-eastern roots who had a rich knowledge of Farsi (Iranian) literature and culture (but rather repulsive table manners – she had a partial set of dentures that she removed and put on the table beside her to eat parts of her meals).  In the evenings we all came together for general conversations about life, the universe and everything.  It was among the most mind-expanding and memorable experiences I’ve ever had, and it inspired Wendy to compose a piece of music and to paint some excellent little pictures.

Although the days were short by that time of the year, the weather was fine and sunny almost all the time we were there, cool but not cold nights, warm but not hot sunny days.  I worked moderately hard but allowed enough time off for a couple of cruises on Lake Como, once into Como itself, the other to the nearby lakeside towns of Mennagio and Varenna.  The alpine region of Northern Italy is very beautiful, this part perhaps the most beautiful of all. Ideally, I think we would both have preferred to be there entirely on holiday but my conscience would not allow me to do this, so I had to leave much of the sight-seeing and exploring to Wendy while I sat at my desk gazing at the beautiful view out the window, thinking beautiful thoughts and attempting to capture them in bad prose on floppy disks. There was abundant time, however, for leisurely walks on the paths through the grounds of the Villa Serbelloni, where the late autumn fruits, notably bright red persimmons and a few plums, were ripe for the plucking.  We strolled down to the lake shore beside the tower where I had stayed on my first visit, around the paths higher up on the east side towards the Swiss mountains, and down on the other side towards and into the village of Bellagio. Some days after lunch we sunned ourselves on a patio outside the dinning room.  I have a fine photograph of a group of us relaxing there one sunny day, with the Swiss mountains glistening in fresh-fallen snow as a back-drop.

South facade of Villa Serbelloni  and approach drive to front entrance on opposite side of Villa








Alas, too soon it was all over. We came back into the town of Como in the Villa’s limousine, caught the train to Lugano through the spectacular network of tunnels through the St Bernard Pass, and on to Zurich, whence we flew home to Ottawa barely ten days before Christmas of 1992.     

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