My job at Hillingdon Hospital
ended conveniently just before the Easter weekend of 1952, spring-time. What a perfect time to see Paris! I had a week before my next job, pediatrics at the
Edgware General Hospital. I flew over to Paris, too short of time, impatient
and extravagant to take the train and ferry.
Paris was sparkling,
basking in warm sunshine with glorious spring blossom everywhere, girls
bouncing along in thin summer dresses in sharp contrast to the dour, grey faces
and colourless clothes of the Londoners across the Channel.
Paris, Springtime, 1952
What a revelation! This was my first encounter with life outside the English-speaking world, and although I spoke some German, I had only a few phrases of French. Obviously France had recovered more rapidly and completely from wartime austerity than Britain. Nothing was rationed, everything was plentiful and even with the rigorous British currency restrictions I had enough to eat and drink and attend several theatres. Through my father's friend Elsie Robinson I made contact with several young people in my own age group, with whom I went to the Follies Bergerges and the Moulin Rouge. Though I couldn't understand and therefore couldn’t laugh as they did at the jokes the comedians were telling, I could and did appreciate the sight-gags, the spectacular scenery and costumes. The great comedy actress Juliette Greco was starting then, a teenager; she appeared fully clothed on stage whilst all the other girls were bare-breasted - yet somehow she managed to look more naked and far sexier than all the others put together. I’ve never forgotten my first sight of her, wearing a white silk shirt, jodhpurs and knee-high leather boots. She flourished a riding crop with which she was flagellating the naked rump of a fat man at her feet. I gathered that the tableau was a spoof on S&M with Juliette Greco as the dominatrix. Nobody could ever forget that spectacle, and I remember it as clearly as if it were yesterday.
Paris, Springtime, 1952
What a revelation! This was my first encounter with life outside the English-speaking world, and although I spoke some German, I had only a few phrases of French. Obviously France had recovered more rapidly and completely from wartime austerity than Britain. Nothing was rationed, everything was plentiful and even with the rigorous British currency restrictions I had enough to eat and drink and attend several theatres. Through my father's friend Elsie Robinson I made contact with several young people in my own age group, with whom I went to the Follies Bergerges and the Moulin Rouge. Though I couldn't understand and therefore couldn’t laugh as they did at the jokes the comedians were telling, I could and did appreciate the sight-gags, the spectacular scenery and costumes. The great comedy actress Juliette Greco was starting then, a teenager; she appeared fully clothed on stage whilst all the other girls were bare-breasted - yet somehow she managed to look more naked and far sexier than all the others put together. I’ve never forgotten my first sight of her, wearing a white silk shirt, jodhpurs and knee-high leather boots. She flourished a riding crop with which she was flagellating the naked rump of a fat man at her feet. I gathered that the tableau was a spoof on S&M with Juliette Greco as the dominatrix. Nobody could ever forget that spectacle, and I remember it as clearly as if it were yesterday.
The Winged Victory of Samothrace
in the Louvre, 1952
Mostly I was on my
own. In perfect weather I strolled the boulevards, went into the Louvre to see
the Mona Lisa, the Venus de Milo, the Winged Victory of Samothrace, gazed at
halls of paintings of obscure battles and pyrrhic victories. I lingered along
the quais by the Seine, I climbed the Eiffel Tower, all the way to the top up
the stairs because they were free but the elevator cost several Francs. I posed
beside the gargoyles of Notre Dame and another tourist took my photo. I found
Sylvia Beech's famous bookshop, Shakespeare and Company – the first of many
visits to that magnificent bookshop that resonated with historical associations with
Gertrude Stein, Alice B Toklas and the great expatriate English-speaking
writers of the 1920s and 1930s. I made my way up to Montmartre, looked out over
Paris from the vantage point of the parapet in front of Sacre Coeur, sipped
coffee and bought cheap water colours (that I still have) in Place du Tertre, browsed the book stalls along the Seine, wandered
through Montparnasse and the Rive Gauche, where I was staying near the Sorbonne
at a pension on Rue de Vieux Colombier. I returned to stay there again next time
I passed through Paris a year later. I strolled through the tuilleries. I had
then some discomfort looking down from heights, but I overcame this permanently in
Paris, standing on the edge of the Arc de Triomph where the parapet is barely
up to knee height, atop the towers of Notre Dame, and on other high points all
over this beautiful city. I regretted then, as I do now, my lack of French. Yet
somehow I managed with English and body language, as I have on many occasions
since all over the world. In fact as my comprehension of spoken French slowly
improved on subsequent visits to Paris I found that I could understand a great
deal, felt sure that if I were to live in Paris for a month or two I would
understand almost all of what I heard, and if I lived there for a year or so I
would be speaking French.
On my own, I went to
hear a performance by the jazz clarinetist Sidney Bechet and his band, dropped into
strip-joints in Place Pigalle, stood near enough to naked girls to see that
close up they lost their charm, had pimply, haggard faces and smelt of sweat,
cheap perfume and stale tobacco smoke - and of much recently consumed alcohol. For
the entire week that I was in Paris I hardly slept, there was so much to see
and do.
At the end of my week
in Paris as the plane that would take me back to London gathered speed on the
runway, I looked out my window and saw the engine nearest me burst into flames.
At the same moment there was a loud bang; then everything happened so quickly I
can’t reconstruct events. A built-in fire extinguisher must have come on, and
drowned the flames in foam that covered my window; the brakes slammed on, and
we came to rest nose down in a ditch, propellers buckled, at the end of the
runway. That was one of my narrow escapes from untimely death. I’ll say more about these escapes
elsewhere.
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